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Friday, 26 July 2013

Deductive reasoning and the 'unseen' artwork

For my Grade 11s and 12s ......
Critical thinking is defined as a reflective and reasonable thought process embodying depth, accuracy, and astute judgment to determine the merit of a decision, an object (like a new artwork), or a theory (Alwehaibi, 2012). 
Creative thinking involves analysis, evaluation, and a synthesizing of facts, ideas, opinions, and theories. 

Possessing the capacity to logically and creatively exercise in-depth judgment and reflection to work effectively in the realm of complex ideas exemplifies a critical thinker (Carmichael & Farrell, 2012).

So - let's use a question from a National past paper to look at the technique of deductive reasoning as it applies to the 'unseen' artwork.
From a past paper ..... Link to November 2012


Fig. 3a - Jane Alexander Untitled 1982
Bone, plaster of Paris, wax, paint, wood & steel.



Fig. 3b - Paul Stopforth Death in Detention 1978 (Life-size)
Plaster bandages, wax floor polish, false teeth.

QUESTION 3: 
ART AND POLITICS: RESISTANCE ART OR PROTEST ART
Mute, yet menacingly threatening in their presence, the sculptures presented in FIGURES 3a and 3b, 'silently' suggest both violence and helplessness.
3.1 Study the images in FIGURES 3a and 3b and write a short essay (at least ONE page) in which you discuss the message/meaning of the sculptures by referring to the following:

• The manner in which body language suggests power, violence and/or helplessness
• The disturbing appearance of the figures
• The title of the work and what it communicates to you
• The deliberate use of distortion in the works
• The relationship of the figures to each other and the space within which they are exhibited

    (10 marks)

We will use the guidelines above to arrive at the meaning/message communicated by these two artworks. These guidelines help you to think about the 'unseen' artwork and deduce possible meanings by identifying visual clues and reflecting on them. You MUST mind-map as you think!

Please use the 'chunking' method to construct a mindmap for your rough plan.
Look at the link to the presentation used in class....... LINK
You could work on the blank sheets provided, if you prefer a digital mindmap.

THEN .... write the essay for homework. Please concentrate on your writing style - aim for coherence and accurate grammar.
You could email a digital copy to me, or write it out by hand and submit it in 7 days. 

Snap this QR code with your camera phone to get your homework!

Wednesday, 24 July 2013

Perceptions of Power

For my Grade 9s ........

Stephen R. Covey
“We must look at the lens through which we see the world, as well as the world we see, and understand that the lens itself shapes how we interpret the world.”
― Stephen R. CoveyThe 7 Habits of Highly Effective People: Powerful Lessons in Personal Change

Overview:
Our perceptions are lenses through which we view the world.

We will be looking at the idea of people (human figures) .....
...... existing in a landscape 
...... in relationships based on our perceptions of POWER

We will use our school to get inspiration for the landscape - 'schoolscape'.






Step 1: Our 'schoolscape'



  • Photograph our schoolscapes bearing the tips from the link above in mind. Work out your 'photoshoot' before you go out!
  • You may need to use Photoshop (on the desktop PCs) or Pixlr Editor (for online netbook work), to edit your photos.

  • Work out and research strategies to create illusions of space that emphasize the feelings of empowerment OR disempowerment in our environment.
    Link to 'Illusions of Space' infographic.

  • Draw ONE of your scenes using some of these strategies.
    Use a 2B pencil. Format size: +/- A4
  • Scan your drawing at 150ppi, and save in the class folder as a .jpg with your name as a filename.


Step 2: 
  • Use the tracing paper provided to create small figures (or one figure?) that fit into your schoolscape. The idea is to focus on  perceived ideas of some people being in power, and others not. You may use exaggerations and distortions to create these situations. They don't have to match the scale of the 'schoolscape'. e.g huge head looming over the top of the stairs?
  • Make use of your pencil & eraser to make these figures, and use the 'mannikin' method that you will be shown. 
  • Tutorial ..... Mannikin tutorial

Step 3:
  • Put your figures into your schoolscape to express your intention. You can use EITHER a physical collage method or a digital 'cut & paste' method.


Monday, 22 July 2013

Surreal egg paintings

For the Grade 10s ..........

We will start our surreal egg paintings by creating  illusions of form and space using one set of complementary colours and white. (A 'monochrome' painting) This is a very old traditional technique used by Vermeer.


Girl with a Pearl Earring - monochrome copy


Link to a tutorial

Here is another tutorial using fruit (persimmons)
Fruit tutorial



However, we will use acrylics for our monochrome because it dries faster. Mix your own chromatic greys - try and avoid using black. Remember to work into both figure and ground.

We will work over the monochrome (the 'grisaille') with  local (representational) colours. Lastly, we will use oil paints to blend and adjust the colours and tones.


Thursday, 11 July 2013

Nursery Tales - a PAT5 brief

For my Grade 11s and 12s ........

I have set this brief as a Practical Assessment Task (PAT) before, so please look on my website for some background.
Link to old brief - Nursery Stories

Interesting new post on 'The three little pigs'

Link to the Studio 2-41 blog




Remember - there are TWO parts to this PAT - your process work (LO1) and your artwork / product (LO2).

Grade 12: Your LO1 deadline is 2nd August
Grade 11: Your LO1 deadline is 9th August

Your rubric for LO1 - your process work - is below. Your artwork / product could range from a literal illustration for a child's book, to a sophisticated allegory. Make sure you emphasize the relevance of the story/rhyme to our contemporary life.

Your tonal drawing should show what your composition will look like. Don't forget to consider your  elements and principles of art & design.


There is a new rubric for LO1 attached to the latest Matric final exam. Let's give it a try.

Your response will be on-line and will automatically go to the Term 3 mark spreadsheet.

Evaluate your sourcebook HERE ....

or use the QR tag with your phone (if you have downloaded an app like Google Goggle  or Blackerry Code Scanner)....

Follow the link above and click on the button for your rating. This will give you a rating out of 25. This will be automatically doubled to 50. 
Let's do this together in class .....
Screenshot below .......



Link to LO2 self-evaluation
Your self evaluation will provide the foundation for the teacher evaluation, so analyse your work thoughtfully - it is in your own best interests.